Last night I went to see 12 Angry Men at the Castro Theatre with my friend Shawn. I think I saw it on TV as a kid, but this was my first time seeing it on the big screen. Here's the somewhat campy movie poster from the original 1957 release:
This is a magnificent film. The black & white cinematography is very cool and creative, which is all the more impressive because almost the entire movie takes place in a single room. At the beginning of jury deliberations, we see the characters from a distance, as if the camera were mounted where the wall met the ceiling. But as the movie progresses and as we learn more about the backgrounds, thoughts and prejudices of each juror, the camera gradually moves down to the level of the table and shows the individual actors in close-up.
The acting is uniformly strong, with each of the twelve characters being fairly well-developed. While a few of the references in the script are obviously dated, many of the themes are very much applicable today. I appreciated the focus on the mechanics of jury deliberations. This would be a great training film for citizens selected for jury duty!
Thursday, April 24, 2008
Monday, April 14, 2008
Network
Last night I saw "Network" at the Castro Theatre with my friend Jon and his fabulous gay-married buddies Christopher and Paolo. I've seen "Network" several times, and I love it more each time!
The performances are excellent, but the best thing about this 1976 masterpiece is the sizzling-hot, ultra-brainy script written by Paddy Chayefsky. For example, take this soliloquy, delivered rapid-fire by the ravishing Faye Dunaway as morality-free TV producer Diana Christiansen:
Dunaway richly deserved the Oscar that she received for her performance in "Network," as did Peter Finch, whose newscaster-turned-nutty-prophet Howard Beale is frighteningly believable. This film received ten Oscar nominations in total, winning four: Dunaway and Finch for lead acting, Chayefsky for original screenplay and, oddly, Beatrice Straight for her not-even-six-minutes-long supporting performance. Straight does a fine job in her one main scene, but had I been an Academy voter that year (unlikely since I would have been 4 years old), I would have picked Piper Laurie for "Carrie."
"Network" is available from Netflix, and I don't think it loses much going from the big screen to the small; in fact, TV might be the ideal medium for this movie.
The performances are excellent, but the best thing about this 1976 masterpiece is the sizzling-hot, ultra-brainy script written by Paddy Chayefsky. For example, take this soliloquy, delivered rapid-fire by the ravishing Faye Dunaway as morality-free TV producer Diana Christiansen:
I was married for four years, and pretended to be happy; and I had six years of analysis, and pretended to be sane. My husband ran off with his boyfriend, and I had an affair with my analyst, who told me I was the worst lay he'd ever had. I can't tell you how many men have told me what a lousy lay I am. I apparently have a masculine temperament. I arouse quickly, consummate prematurely, and can't wait to get my clothes back on and get out of that bedroom. I seem to be inept at everything except my work. I'm goddamn good at my work and so I confine myself to that. All I want out of life is a 30 share and a 20 rating.
Dunaway richly deserved the Oscar that she received for her performance in "Network," as did Peter Finch, whose newscaster-turned-nutty-prophet Howard Beale is frighteningly believable. This film received ten Oscar nominations in total, winning four: Dunaway and Finch for lead acting, Chayefsky for original screenplay and, oddly, Beatrice Straight for her not-even-six-minutes-long supporting performance. Straight does a fine job in her one main scene, but had I been an Academy voter that year (unlikely since I would have been 4 years old), I would have picked Piper Laurie for "Carrie."
"Network" is available from Netflix, and I don't think it loses much going from the big screen to the small; in fact, TV might be the ideal medium for this movie.
Monday, February 25, 2008
Oscar Night in Review
Highlights:
Most-deserving winners:
Best performances on the E! network's red carpet telecast:
Best-dressed:
Honorable mention:
Worst-dressed:
- Scott Rubin thanking his boyfriend in his Best Picture acceptance speech
- That gorgeous royal-blue stage floor
- The Kodak Theatre itself, so grand and glorious
- Jon Stewart giving Marketa Irglova a chance to speak
Most-deserving winners:
- Best Actress: Marion Cotillard, La Vie en Rose
- Art Direction: Sweeney Todd
- Film Editing: The Bourne Ultimatum
- Original Song: "Falling Slowly," Once (free download here)
- Makeup: La Vie en Rose
Best performances on the E! network's red carpet telecast:
- Julie Christie, calling for the closure of Guantanamo
- Laura Linney, rescuing poor Jennifer Garner from Garey Busey
Best-dressed:
- Marion Cotillard (yes, I'm obsessed with her)
- Cate Blanchett (stunning! I loved the color combination)
- Katherine Heigl (I admit this one grudgingly, since she's so obnoxious)
- Javier Bardem and his mom
Honorable mention:
- Anne Hathaway (great color choice)
- Ruby Dee (lovely)
- Jason Bateman (so handsome!)
- Ellen Page (appropriately youthful and Goth-tinged)
- Helen Mirren (didn't love it on the red carpet, but it looked amazing on stage)
- Jon McLaughlin, the cutie who sang "So Close" (subtle polka-dot on the jacket was a fun surprise; wish I could find a photo)
Worst-dressed:
- Kelly Preston (dressed as a summer squash)
- Jennifer Hudson (white is NOT her color)
- Keri Russell (couldn't fill her boob cups)
- George Clooney's girlfriend (shower curtain)
- Cameron Diaz (bridesmaid at a summer wedding out in the backyard)
- Rebecca Miller (aaaaaaaaaaaaaaaaaaaaaaaiaiaiai kill me now!)
Tuesday, February 19, 2008
Oscar Nominees: Live-Action Short Films
Last night I watched all five of the live-action (as opposed to animated) short films that are nominated for the Oscar this year. These are fictional stories; there is a separate category for documentary shorts.
I'll list the five films in order of how much I liked them, from least to most:
* Il Supplente (The Substitute) - Bizarre Italian creation in which teenagers are encouraged to torment each other and pretend to be rabid goats. A head-scratcher.
* Tanghi Argentini - Light-as-a-feather story starring Wallace Shawn's tubby, sagging brother as a Belgian accountant-ish person who sets himself up with an internet blind date, then must furiously study the tango.
* Le Mozart des Pickpockets (The Mozart of Pickpockets) - Two bumbling petty thieves adopt a deaf-mute 8-year-old who enjoys slithering across the greasy, sticky floors of theaters to raid the purses of unsuspecting moviegoers. A tired premise, perhaps, but all three actors impress with an abundance of charm.
* The Tonto Woman - Scripted by Elmore Leonard. The storyline is predictable and a bit dull, but British actress Charlotte Asprey is unforgettable as an Old West woman dealing with physical and emotional scars.
* Om Natten (At Night) - The longest and most serious of the nominated films, this portrait of three college-aged women with terminal cancer kept me on the verge of tears for most of its 39-minute running time. Danish writer-director Christian E. Christiansen creates an intimate setting in which to explore the terror of facing premature death. The eerie, bluish-white hospital lighting intensifies both the inevitability and the utter wrongness of what is happening to these beautiful, young people.
My prediction for Oscar night: Les Mozart des Pickpockets will steal the prize.
I'll list the five films in order of how much I liked them, from least to most:
* Il Supplente (The Substitute) - Bizarre Italian creation in which teenagers are encouraged to torment each other and pretend to be rabid goats. A head-scratcher.
* Tanghi Argentini - Light-as-a-feather story starring Wallace Shawn's tubby, sagging brother as a Belgian accountant-ish person who sets himself up with an internet blind date, then must furiously study the tango.
* Le Mozart des Pickpockets (The Mozart of Pickpockets) - Two bumbling petty thieves adopt a deaf-mute 8-year-old who enjoys slithering across the greasy, sticky floors of theaters to raid the purses of unsuspecting moviegoers. A tired premise, perhaps, but all three actors impress with an abundance of charm.
* The Tonto Woman - Scripted by Elmore Leonard. The storyline is predictable and a bit dull, but British actress Charlotte Asprey is unforgettable as an Old West woman dealing with physical and emotional scars.
* Om Natten (At Night) - The longest and most serious of the nominated films, this portrait of three college-aged women with terminal cancer kept me on the verge of tears for most of its 39-minute running time. Danish writer-director Christian E. Christiansen creates an intimate setting in which to explore the terror of facing premature death. The eerie, bluish-white hospital lighting intensifies both the inevitability and the utter wrongness of what is happening to these beautiful, young people.
My prediction for Oscar night: Les Mozart des Pickpockets will steal the prize.
Wednesday, January 23, 2008
RIP Heath Ledger
A.O. Scott, film critic for the New York Times, just published a wonderful piece about the career and contributions of Heath Ledger. You can read it here.
I think Heath was the best actor of his generation. A tragic loss.
I think Heath was the best actor of his generation. A tragic loss.
Tuesday, January 22, 2008
Oscar Nominations Announced
Here are the nominees!
Best Picture
Apparently the voters have strong stomachs. Overall I'm pleased, though I would have preferred to see Diving Bell on this list in place of Atonement.
Best Actress
The Academy's Cate fixation knows no bounds. Too bad for Angelina, who deserved recognition for her mature, heartfelt performance.
Best Actor
Perhaps the voters were feeling guilty about not making room for TLJ in the supporting category for No Country, so they threw him a bone here. Reviews of his work in Elah were mixed; personally, I think he was aiming for stoic and overshot, hitting mannequin instead. Surprised and glad to see Mortensen instead of Gosling. And hooray for Johnny Depp!
Best Supporting Actress
I'm disappointed, but not surprised, to see child actor Saoirse Ronan get this bid instead of her magnificent elder co-star, Redgrave. Yes, Ronan gave a solid, believable performance, but nothing spectacular. Also upset about the snub of Keener, who turned a blah part into something memorable as well as integral to the film (Into the Wild) as a whole.
Best Supporting Actor
These are all solid nominations, though the Academy missed a chance to recognize a truly amazing performance by a child actor: Ahmad Khan Mahmizada as the loyal, forgiving Hassan in The Kite Runner.
Best Director
Into the Wild was overlooked in so many categories, but this one hurts the most. Penn's clear-eyed focus and restraint are evident throughout this wonderful film. Given the Academy's tradition of celebrating actors-turned-directors (Redford, Costner, Eastwood), it's surprising that they didn't jump on this opportunity.
Best Original Screenplay
Three female nominees in this category--wow! I'm so glad to see Tamara Jenkins in particular.
Best Adapted Screenplay
Another snub for Into the Wild, but I'm thrilled to see this recognition for Sarah Polley! This will be an interesting category to watch. The Coens are the presumptive favorite, but fellow Oscar winner Harwood could pull an upset for writing the screenplay that everyone said would be impossible to create.
My overall score: 30/40. Not too bad.
Best Picture
- Atonement
- Juno
- Michael Clayton
- No Country for Old Men
- There Will Be Blood
Apparently the voters have strong stomachs. Overall I'm pleased, though I would have preferred to see Diving Bell on this list in place of Atonement.
Best Actress
- Cate Blanchett, Elizabeth: The Golden Age
- Ellen Page, Juno
- Julie Christie, Away from Her
- Laura Linney, The Savages
- Marion Cotillard, La Vie en Rose
The Academy's Cate fixation knows no bounds. Too bad for Angelina, who deserved recognition for her mature, heartfelt performance.
Best Actor
- Daniel Day-Lewis, There Will Be Blood
- George Clooney, Michael Clayton
- Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street
- Tommy Lee Jones, In the Valley of Elah
- Viggo Mortensen, Eastern Promises
Perhaps the voters were feeling guilty about not making room for TLJ in the supporting category for No Country, so they threw him a bone here. Reviews of his work in Elah were mixed; personally, I think he was aiming for stoic and overshot, hitting mannequin instead. Surprised and glad to see Mortensen instead of Gosling. And hooray for Johnny Depp!
Best Supporting Actress
- Amy Ryan, Gone Baby Gone
- Cate Blanchett, I'm Not There
- Ruby Dee, American Gangster
- Saoirse Ronan, Atonement
- Tilda Swinton, Michael Clayton
I'm disappointed, but not surprised, to see child actor Saoirse Ronan get this bid instead of her magnificent elder co-star, Redgrave. Yes, Ronan gave a solid, believable performance, but nothing spectacular. Also upset about the snub of Keener, who turned a blah part into something memorable as well as integral to the film (Into the Wild) as a whole.
Best Supporting Actor
- Casey Affleck, The Assassination of Jesse James by the Coward Robert Ford
- Hal Holbrook, Into the Wild
- Javier Bardem, No Country for Old Men
- Philip Seymour Hoffman, Charlie Wilson's War
- Tom Wilkinson, Michael Clayton
These are all solid nominations, though the Academy missed a chance to recognize a truly amazing performance by a child actor: Ahmad Khan Mahmizada as the loyal, forgiving Hassan in The Kite Runner.
Best Director
- Jason Reitman, Juno
- Joel and Ethan Coen, No Country for Old Men
- Julian Schnabel, The Diving Bell and the Butterfly
- Paul Thomas Anderson, There Will Be Blood
- Tony Gilroy, Michael Clayton
Into the Wild was overlooked in so many categories, but this one hurts the most. Penn's clear-eyed focus and restraint are evident throughout this wonderful film. Given the Academy's tradition of celebrating actors-turned-directors (Redford, Costner, Eastwood), it's surprising that they didn't jump on this opportunity.
Best Original Screenplay
- Brad Bird, Jan Pinkava, Jim Capobianco, Ratatouille
- Diablo Cody, Juno
- Nancy Oliver, Lars and the Real Girl
- Tamara Jenkins, The Savages
- Tony Gilroy, Michael Clayton
Three female nominees in this category--wow! I'm so glad to see Tamara Jenkins in particular.
Best Adapted Screenplay
- Christopher Hampton, Atonement
- Ethan Coen and Joel Coen, No Country for Old Men
- Paul Thomas Anderson, There Will Be Blood
- Ronald Harwood, The Diving Bell and the Butterfly
- Sarah Polley, Away from Her
Another snub for Into the Wild, but I'm thrilled to see this recognition for Sarah Polley! This will be an interesting category to watch. The Coens are the presumptive favorite, but fellow Oscar winner Harwood could pull an upset for writing the screenplay that everyone said would be impossible to create.
My overall score: 30/40. Not too bad.
Monday, January 21, 2008
Predicting the Oscar Nominations
After a very long pause, I'm back with my predictions for the Oscar nominations. You can tune in to the E! channel at 5:30 a.m. PST on Tuesday, Jan. 22 (tomorrow) to evaluate my Nostradamity.
Best Picture
I predict:
If I ruled the Academy:
Best Actress
I predict:
If I ruled the Academy:
Best Actor
I predict:
If I ruled the Academy:
Best Supporting Actress
I predict:
If I ruled the Academy:
Best Supporting Actor
I predict:
If I ruled the Academy:
Best Director
I predict:
If I ruled the Academy:
Best Original Screenplay
I predict:
If I ruled the Academy:
Best Adapted Screenplay
I predict:
If I ruled the Academy:
Here's hoping I get at least a few right in each category!
Best Picture
I predict:
- Atonement
- The Diving Bell and the Butterfly
- Juno
- Michael Clayton
- No Country for Old Men
If I ruled the Academy:
- The Assassination of Jesse James by the Coward Robert Ford
- Away from Her
- The Diving Bell and the Butterfly
- I'm Not There
- There Will Be Blood
Best Actress
I predict:
- Angelina Jolie, A Mighty Heart
- Ellen Page, Juno
- Julie Christie, Away from Her
- Laura Linney, The Savages
- Marion Cotillard, La Vie en Rose
If I ruled the Academy:
- Angelina Jolie, A Mighty Heart
- Julie Christie, Away from Her
- Laura Linney, The Savages
- Marion Cotillard, La Vie en Rose
- Molly Shannon, Year of the Dog
Best Actor
I predict:
- Daniel Day-Lewis, There Will Be Blood
- Frank Langella, Starting Out in the Evening
- George Clooney, Michael Clayton
- Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street
- Ryan Gosling, Lars and the Real Girl
If I ruled the Academy:
- Daniel Day-Lewis, There Will Be Blood
- Emile Hirsch, Into the Wild
- Gordon Pinsent, Away from Her
- Mathieu Amalric, The Diving Bell and the Butterfly
- Philip Seymour Hoffman, The Savages
Best Supporting Actress
I predict:
- Amy Ryan, Gone Baby Gone
- Cate Blanchett, I'm Not There
- Catherine Keener, Into the Wild
- Tilda Swinton, Michael Clayton
- Vanessa Redgrave, Atonement
If I ruled the Academy:
- Allison Janney, Juno
- Cate Blanchett, I'm Not There
- Marcia Gay Harden, The Mist
- Tilda Swinton, Michael Clayton
- Vanessa Redgrave, Atonement
Best Supporting Actor
I predict:
- Casey Affleck, The Assassination of Jesse James by the Coward Robert Ford
- Hal Holbrook, Into the Wild
- Javier Bardem, No Country for Old Men
- Philip Seymour Hoffman, Charlie Wilson's War
- Tom Wilkinson, Michael Clayton
If I ruled the Academy:
- Ahmad Khan Mahmizada, The Kite Runner
- Casey Affleck, The Assassination of Jesse James by the Coward Robert Ford
- Javier Bardem, No Country for Old Men
- Philip Bosco, The Savages
- Vincent Cassel, Eastern Promises
Best Director
I predict:
- Joe Wright, Atonement
- Joel and Ethan Coen, No Country for Old Men
- Julian Schnabel, The Diving Bell and the Butterfly
- Paul Thomas Anderson, There Will Be Blood
- Sean Penn, Into the Wild
If I ruled the Academy:
- Paul Thomas Anderson, There Will Be Blood
- Robert Rodriguez and Quentin Tarantino, Grindhouse
- Sarah Polley, Away from Her
- Sean Penn, Into the Wild
- Todd Haynes, I'm Not There
Best Original Screenplay
I predict:
- Brad Bird and Jan Pinkava, Ratatouille
- Diablo Cody, Juno
- Kelly Masterson, Before the Devil Knows You're Dead
- Tamara Jenkins, The Savages
- Tony Gilroy, Michael Clayton
If I ruled the Academy:
- Diablo Cody, Juno
- Mike White, Year of the Dog
- Tamara Jenkins, The Savages
- Todd Haynes and Owen Moverman, I'm Not There
- Wes Anderson, Roman Coppola and Jason Schwartzman, The Darjeeling Limited
Best Adapted Screenplay
I predict:
- Christopher Hampton, Atonement
- Ethan Coen and Joel Coen, No Country for Old Men
- Paul Thomas Anderson, There Will Be Blood
- Ronald Harwood, The Diving Bell and the Butterfly
- Sean Penn, Into the Wild
If I ruled the Academy:
- Andrew Dominik, The Assassination of Jesse James by the Coward Robert Ford
- Ethan Coen and Joel Coen, No Country for Old Men
- Paul Thomas Anderson, There Will Be Blood
- Ronald Harwood, The Diving Bell and the Butterfly
- Sarah Polley, Away from Her
Here's hoping I get at least a few right in each category!
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